Writer, artist, dog lover, Southern expatriate
When I volunteered to help with the Billys winter gathering, the coordinators asked if I’d be willing to organize a collaborative art project on the theme: Myth Weaving. The central ideas were based upon the “Four Directions of a Queer Person,” which was taken from a workshop called The four directions of a queer man offered by the School of Lost Borders.
Drawing inspiration from African headdresses, Native American totems, the art of Verasphere, and Nick Cave, I conceied of 4 modular forms about 2.5 feet high. I envisioned simple tube shapes that were also stackable, but also have an eye hole so they can be worn as a headdresses. Through colloaboration with other Billys, we settled on woven baskets for the form bases.
I requested for the attendees to bring fabric items, baubles, adornments, decorations, or up-cycled items to add the sculpture. Over the course of the gathering, many Billys participated in this collective sculptural art project. Each day we decorated one basket according to the day’s theme. We added fabric, baubles, dried hydrangeas, and all sorts of things (including a cock ring) to create unique designs.
In the end, we displayed the headdresses as a totem in the Heart Lodge at Saratoga Springs. As part of the closing ritual, we deconstructed the headdresses and folks wore them in the ceremony.
Even though this was my concept, the execution was 100% collaborative. For fear of forgetting someone, I am hesitant to name the folks individually who contributed. I am gateful to everyone who showed up and contributed to this beautiful project.
South: queer child
West: queer adolescent
North: queer adult
East: queer sprit
Faces of the Queer Directions displayed as a totem
Faces of the Queer Directions displayed on a table
original concept drawing of Faces of the Queer Directions